http://julil.org/index.php/Journal/issue/feedJournal of Urdu Literature and Indigenous Languages (JULIL)2024-10-06T18:01:19+00:00Managing Editoreditor@julil.orgOpen Journal Systems<p><strong>“Journal of Urdu Literature and Indigenous Languages(JULIL) ”</strong> is committed to publishing high-quality research that makes a significant contribution to the field of Urdu and indigenous language studies. The journal welcomes submissions from scholars around the world, and it is particularly interested in publishing research that explores the intersection of Urdu and indigenous languages. The journal's scope is broad, and it encompasses a wide range of topics related to Urdu and indigenous languages. This includes, but is not limited to, linguistics, literature, translation, pedagogy, and cultural studies. The journal also encourages submissions that explore the use of Urdu and indigenous languages in new and innovative ways.</p>http://julil.org/index.php/Journal/article/view/18کرنل محمد خان پر مشتاق احمد یوسفی کے اثرات2024-09-27T18:02:42+00:00Dr. Qasim Alijavediqbalurdu@gmail.comDr. Muhammad Ramzan Jaffarjavediqbalurdu@gmail.com<p>The image of satire and humor in modern Urdu prose, the color of pure humor in shades, appears obviously with its distinctive features of rancorness.The name of Mushtaq Ahmad Yousafi also appears in modern Urdu prose comics.The elements of spontaneity and fluency are very prevalent in their prosic works.The humor with life is a witness to the fact that every artist is primarily an ideal artist . He does not tolerate social unraveshness, but expressed it in light humor, conveying its impressions to others.Immaturity in his style is not reflected anywhere. There is no doubt that his style of writing is perevesive and that’s why Col.Muhammad Khan also impressed by the style of Muahtaq Ahmad Yousifi’s humor urdu prose.</p> <p><strong> References in Roman Script:</strong></p> <ol> <li>Rashid Ahmad Siddiqui, Professor, Tanziat-o- Muzhakiat, New Delhi,Maktaba Jamia, 1973, p.26</li> <li>Mazhar Ahmad, Dr., Sahib-e-Tarz Zraft Nigaar Ahmed Yousefi (Aik Mutala), Kitabi Duniya Delhi,first publication of 2010, pp. 111-110</li> <li>Khalid Mahmood, Dr.,Urdu Adab Mien Tanz-o-Mizah Ki Riwait ،Urdu Akademi Delhi, 2005,p.107</li> <li>Muhammad Tahir, Dr.Mushtaq Ahmed Yousufi Ki Adbi Khidmat, Azam garh,Shibli National Post Graduate College, 2003, p.192</li> <li>Rauf Parekh, Dr.,Urdu Nasar Mien Mizah Nigari Ka Siasi-o-Samaji Pas-e- Manzar,Anjuman Taraqi Urdu Pakistan, 97.1996, p.389</li> <li>Yousufi, Mushtaq Ahmad, Charag Talay, Pahla Pathr, p:15</li> <li>Ibid, p. 18</li> <li>Ibid, p. 22</li> <li>Ibid, p. 28</li> <li>Col. Muhammad Khan, Bajang Amad, Case p. 13</li> <li>Yousefi, Mushtaq Ahmad, Charag Talay, p.18</li> <li>Ibid, p. 32</li> <li>Ibid, p. 38</li> <li>Ibid, p. 45</li> <li>Colonel Muhammad Khan,Bajang Amad, p.51</li> <li>Yousefi, Mushtaq Ahmad,Charagh Talay, p.103</li> <li>Cornel Muhammad Khan, Bajang Amad, p. 180</li> <li>Yousefi, Mushtaq Ahmad,Charag Talay, p. 103</li> <li>Cornel Muhammad Khan, Bajang Amad, p.190</li> <li>Ibid, p.207</li> <li>Ibid, p. 208</li> <li>Ibid, p. 211</li> <li>Yousefi, Mushtaq Ahmed, Charag Talay, p. 112</li> <li>Colonel Muhammad Khan, Baslamat Ravi, Islamabad: Dost Publication, 2016, p.37</li> <li>Ibid, p. 38</li> <li>Colonel Muhammad Khan,Bajang Amad, p.30</li> <li>Yousefi, Mushtaq Ahmad,Charag Talay, p.23</li> <li>Cornel Muhammad Khan,Bajang Amad, p. 66</li> <li>Yousufi, Mushtaq Ahmed, Charag Talay, p. 69</li> <li>Ibid, p. 111</li> <li>Cornel Muhammad Khan,Bajang Amad , p. 214</li> <li>Yousefi, Mushtaq Ahmed, Under the lamp, p.118</li> <li>Cornel Muhammad Khan,Bajang Amad, p. 129</li> <li>Yousefi, Mushtaq Ahmad, Charag Talay, p. 125</li> <li>Ibid, p. 128</li> <li>Ibid, p. 132</li> <li>Cornel Muhammad Khan,Bajang Amad, p.202</li> <li>Ibid, p. 205</li> <li>Cornel Muhammad Khan, Buzm-e- Arayan, Islamabad, Dost Publication, 2016, p. 168</li> <li>Hali, Maulana Altaf Hussain, Maqalat-e-Hali, New Delhi, Urdu Development Association (India), Urdu Ghar, 1982, p. 115</li> </ol>2024-06-30T00:00:00+00:00Copyright (c) 2024 Journal of Urdu Literature and Indigenous Languages (JULIL)http://julil.org/index.php/Journal/article/view/19 اُردو ناول میں تاریخی اورسماجی عناصر کا اجمالی جائزہ2024-06-30T13:31:14+00:00Muhammad Taimoorjavediqbalurdu@gmail.comDr. Humaira Ishfaqjavediqbalurdu@gmail.com<p>Along with other genres of literature, the novel continues to evolve. Since the beginning of the 19th century, numerous novels have been written which have presented contemporary and contemporary history and social conditions very well.Because it is a history that has become part of the observation of novelists.The novelists have lived this life themselves and have taken upon themselves the different values of this society, due to which contemporary novelists have presented the narrative of history in a more realistic manner. has been very fertile since During the evolutionary journey from the beginning of the novel in the 19th century to the contemporary novel, the novelists have made various historical events and their social effects around the world including the subcontinent the subject of the novel and have proved that the presentation of history and society in the Urdu novel.</p> <p><strong> References in Roman Script:</strong></p> <ol> <li>Rashid-ul-Khairy, Majmo-e- Rashid –ul-Khairy, Lahore, Sangmail Publications, 1998, p.65</li> <li>Abu Bakr Ibad, Urdu Novel:Irtqa sy Tarraqi Passand Tak, (Mashmola),Development of Urdu Novel by Mansoor Khushtar, Lahore, Book Talk, 2019, p.74</li> <li>Mohammad Afzal Butt, Urdu Novel Mien Samaji Shaoor, Islamabad, Purab Academy, 2015, p:104</li> <li>Abida Naseem,Urdu Novels Mahajreen Kay Masail, Karachi,Anjumn Tarraqi Urdu, 2018, p.112</li> <li>Shiba Alam,Urdu Novel Kay Namainda Novel Nigaron Ka Tareekhi Shaoor, p. 155</li> <li>Mumtaz Ahmad Khan,Urdu Novel Kay Chand Ahm Zawye, Karachi,Anjumn Tarraqi Urdu, 2016, p.78</li> <li>Qaratul-Ain Haider, Akhir-e- Shab Ke Hum Safar, Lahore, Sangmail Publications, 2005, p. 41-42.</li> <li>Shahid Nawaz,Pakistani Urdu Novel Mien Tareekhi Shaoor, Sargodha, Department of Urdu University of Sargodha, 2018, p.: 175</li> <li>Ibid,p:269</li> <li>Mutanser Hussain Tarad, Qala Jangi, Lahore, Sang-e-Meel, Publications, 2012,p:85</li> </ol>2024-06-30T13:30:31+00:00Copyright (c) 2024 Journal of Urdu Literature and Indigenous Languages (JULIL)http://julil.org/index.php/Journal/article/view/23اُردو قصیدے میں سائنسی اشارات2024-09-27T17:55:36+00:00Komal Shahzadijavediqbalurdu@gmail.comSajjad Naqvijavediqbalurdu@gmail.com<p>Urdu qasida has received the status of royal and scholarly genre in Urdu literature. In this genre, it was intended to write praise or praise of someone. Of course, most of the qasidas were written in the form of praise. And there is a narrative of superiority and superiority, how is it possible to have scientific signs or scientific consciousness in it? Its justification and answer is hidden in the broad perspective of the qasida and its components. It is clear that there are two types of qasida in terms of appearance. In which an atmosphere is created before the definition of mamduh and similes and refrains are included as a preface. Scientific signs or scientific terms are marked in Urdu qasida in three contexts. First simile, second madh, third Interpretation rate۔۔Simile: Simile is a component of a successful poem.</p> <p><strong> References in Roman Script:</strong></p> <ol> <li>Jameel Jalbi, Dr., History of Urdu Literature, (Vol. II), Lahore, Majlis Traqhi Udab, 1995, p. 668</li> <li>Farooq Argali, (Ed.), Antakah Kalyat Mirza Muhammad Rafi Sauda, New Delhi, Farid Book Depot, 2005, p: 381</li> <li>Qasaid-e-Zoq, Sheikh Zoq Ibrahim, Lahore, Publisher, Alamgir Press, No publication, pp. 17-18.</li> <li>Ibid, p: 3</li> <li>Ibid</li> <li>Hasan Askari, Mirza with Muhammad Rafi, Fazil Deobandi, Kalam Insha, Inshallah Khan Insha, Allahabad: Hindustani Academy, 1952, p: 322</li> <li>Jameel Jalbi, Dr., History of Urdu Literature, (Vol. III), Lahore, Majlis Traqhi Udab, 2008, p. 142</li> <li>Ehtsham Ali, Dr., New Demographic Perspective of Modern Urdu Poetry, Lahore: Aks Publications, 2019, pp. 14-15.</li> <li>Jameel Jalbi, Dr., History of Urdu Literature, pp. 113</li> <li>Umm Hani Ashraf, Dr., Urdu Poems, Aligarh, Educational Book House, 1982, p: 276</li> <li>Muhammed Anwal Haq, Mufti (martaba), Dewan Ghalib Modern (Hamidia Version), Bhopal, Madhya Pradesh Urdu Academy, 1982, p: 461</li> <li>Ibid, p: 457</li> <li>Ibid, p: 460</li> <li>Ibid, p: 477</li> </ol>2024-06-30T00:00:00+00:00Copyright (c) 2024 Journal of Urdu Literature and Indigenous Languages (JULIL)http://julil.org/index.php/Journal/article/view/24فرائڈ کی تحلیل نفسی کی روشنی میں مِس ٹین والا کا نفسیاتی مطالعہ2024-10-04T12:37:04+00:00Dr. Nosheen Qamarjavediqbalurdu@gmail.com<p>Psychology is a study of mind, behavior and soul .It is being studied from a long time. A lot of experiments and studies are being done in it. Freud’s theory is one of the most important theories of this field. This theory is also helping in the field of literature. This article has same glance of Freud’s theory of psycho-analysis. Sadat Hassan Manto showed the character of ‘’ Miss teen wala’’ according to Freud’s theory of Psycho-analysis and it’s a good example of it. Behind Freud's theory of psychoanalysis is the study of the literary masterpieces he read during therapy. They include Shakespeare, Dostoevsky, Schiller, Goethe, Coleridge, Wordsworth, Arnold etc. It is also of fundamental importance that Freud was primarily a scientist.</p> <p><strong> References in Roman Script:</strong></p> <ol> <li>ur:wikipedia.org/wiki/nafseyat.4april2018.Time 21:27</li> <li>M.A Quraishe, Frued-Or-Lashaor, Lahore, Majlis-e-Tarake –Adab, 2007, p:7-20</li> <li>Saleem Akhter, Nafseyati-Tanqeed, Lahore, Sang-e-Meel Publishers, 2015, p:74</li> <li>Ibid, p.50.</li> <li>Naeem Ahmed, Frued(Tehlel-e-Nafsi),www.urdudost.com</li> <li>Peter Barry, Beginning -Theory, New York Manchester Press, 1994, p:90</li> <li>Saleem Akhter, ‘’Nafseyati Tanqeed’’, mashmola, Tanqeed-i-Dabistan, Lahore, Sang-e-Meel Publishers, 2009, p.173-175</li> <li>Sharib Radolvi, Muhammad Sohail Bhati , Jadeed-Urdu-Tanqeed-Asol-o-Nazreyat,Lahore, Bhati sons publishers, ND,p.161-162</li> <li>Miss Teen Wala, <a href="http://www.rekhta.com">www.rekhta.com</a></li> <li>Ibid</li> <li>Ibid</li> <li>Ibid</li> <li>Ibid</li> </ol>2024-06-30T00:00:00+00:00Copyright (c) 2024 Journal of Urdu Literature and Indigenous Languages (JULIL)http://julil.org/index.php/Journal/article/view/25مجید امجد جدید اُردو نظم کے منفرد شاعر(ایک اجمالی جائزہ)2024-10-06T18:01:19+00:00Khurshid Banojavediqbalurdu@gmail.com<p>In Majeed Amjad Poetry, we find different Subjects. He kept him self away from literarey circles and grops of big cities. He loved his loneliness and created a beautiful poetry after a long endeavor. There is a special strength and balance in his poetry which is due to his deep observation and experience. Majeed Amjed is a Modern poet but he maintained the standard of poetry due to his deep observation of study.The universe, vast of international poets and deep love for Urdu, Persian, Arabic and other languages. He was not only the poet of poem, but he also took interest in ghazal and created about sixty one match ghazals. In this research article, the endeavour has been made to discuss the different aspects of Majeed Amjad’s poetry.</p> <p><strong> References in Roman Script:</strong></p> <ol> <li>Amir Sohail, Syed Majeed Amjad, Arzoo Bakaf, Beacon Books, Multan, 1990, P:67</li> <li>Halal Zubari, Tarakh-e-Jhang, Jhang Adabi Academy, Jhang,1976, P.478</li> <li>Amir Sohail, Syed, Dr, Majeed Amjad, Naqish Gariya, Tamam, Pakistan Writer Cooperative Society, Lahore,2008, P:79</li> <li>Rafiq Sindahlvi, Shaib-e-Rafta ka ek Harat Angaz Pehloo, Majeed Amjad ek Matala, Martba, Hikmat Adeeb, Jhang Adabi Academy, Jang,1994, P:540</li> <li>Attish Durani Dr. Urdu Asnaaf ki Mukhtsar Tarekh, Maktaba Mari Library,1986, P:42</li> <li>Anwar Sadeed, Dr. Urdu Adab ki Mukhtsar Tarikh, A.H Publishers, Lahore, 1994, P:432</li> <li>Tahir Townsavi Dr. Soch ki be haraf loo ka shair, Mashmoola, Majid Amjad ek Matala, Martaba, Hakmat Adeeb, Jhang Adabi Academy, Jhang, 1994, P:421</li> <li>Taqdees Zohra, Dr., Main fakar raz hasti ka perstar, Mashmoola, Namood, Majeed Amjad Number-1, Jald-2, shamra 6-7, Lahore, June- July 2014, P:99</li> <li>Wazir Agha, Dr. Majid Amjad: ek dil dardmand, Mashmoola, Majid Amjad: Naye Tanazar main, Martaba, Ihtsham Ali, Becon Books, Multan, 2014, P:39-40.</li> <li>Ambreen Munir Dr. Majeed Amjad ki Nazam ma Nafesyati Sahaoor, Mashmoola, Bazyafat 42, Oriental College, Punjab University, January- June 2014, Lahore, P:222</li> <li>Majeed Amjad Kolyat Majeed Amjad, P:413-414</li> <li>Ibid, P:427</li> <li>Sohail Ahmad, Majeed Amjad oar nai shari sort-e-hall, Mashmoola, Qand, Majeed Amjad Number-2, Rasi-31, Jald-3, Shamara-8-9, May- June 1975, P: 69</li> </ol>2024-06-30T00:00:00+00:00Copyright (c) 2024 Journal of Urdu Literature and Indigenous Languages (JULIL)